This post is an attempt to provide some background and terminology used around Movie sets I have added some notes of my own which may clarify things for those who are reading these Blogs and haven't been out "on" a Movie set. [ it helped me and others, the Hollywood people assume we already know these terms and perhaps we should]
Quiet on the set: When you hear the AD’s call for “Quiet on the set”, please be quiet. If one person is talking, it may sound like a whisper. If a group is talking, it sounds like a roar.
Pictures up: means they are about to start filming. You should stand by for your cue.
Rolling: means there is film moving through the camera. Please do not move yet. Your cue is coming next.
Background!: When you hear the AD’s call “Background!”, it is time for you to perform. Please remember to never look directly into the camera. And remember exactly what you were doing in a scene, so you can repeat your actions each time.
Action: When you hear the director call “Action!”, it is time for the main actors to perform.
Pantomime: If the AD’s call “Pantomime” then we need you to perform your actions without making a sound. We need you to pretend that you are talking, laughing, clapping, cheering, etc.[you would not believe how many people, working as extras did not know this word !] [and it is harder than it sounds !]
Back to one: means that you should return to your first position and standby to start your action again.
It’s a wrap: This means that we are finished for the day. [the scene just prior to wrap is called the "Martini Shot". here in the South it would be 'it's Miller Time'.]
Industry Terms Defined (Provided courtesy of
castingworkbook.com)
A.D. - The Assistant Director.
[these people are members of the 'unholy hierarchy' and the ones who pass instructions down through PA's to we extras]
ART DIRECTOR - Person who conceives and designs the sets. AUDITION - A tryout for a film, TV or stage role. Usually auditions involving reading from the script, but can also require improvisation.
BACKGROUND - The Extra performers.
[props the eat, wall paper and paint]
BEST BOY - The assistant to the Chief Electrician, or Head Gaffer.
BILLING - The order of the names in the title of opening credits of a film or TV show.
BLOCKING - The actual physical movements by performers in any scene. Also can refer to the movements of the camera.
BOOKING - A firm commitment to a performer to do a specific job.
BOOM - An overhead microphone, usually on an extended pole. The Boom Operator is the member of the sound department responsible for holding the boom pole, with mic attached, over and sometimes under the actors. Also usually responsible for placing radio mics on actors.
BLUE SCREEN - Shooting in a studio against a large blue or green backdrop, which allows a background to be superimposed later on the final image. The actors must imagine the set they are on and be aware of the limitations of their movements.
BREAKAWAY - Specially designed prop or set piece that looks solid but shatters easily.
BREAKDOWN - A summary description of a script prepared by or for the casting director often including the names of the director, producer, network or studio, together with audition location and times, storyline and roles available for casting in a production.
CALLBACK - Any follow-up interview or audition.
[very exciting when this happens]
CALL SHEET - A sheet containing the cast and crew call times for a specific day's shooting. Scene numbers, the expected day's total pages, locations, and production needs are also included.
CALL TIME - The actual time an actor is due on the set.
CAMERA CREW - With the D.P. (Director of Photography) as its chief, this team consists of the camera operator, the first assistant camera operator (focus puller), the second assistant camera operator (film loader and clap stick clapper) and the dolly grip.
CAMERA OPERATOR - The member of the camera crew who actually looks through the lens during a take. Responsible for panning, tilting and keeping the action within the frame.
CASTING DIRECTOR - The producer's representative responsible for choosing performers for consideration by the producer or director.
CASTING FACILITY - A studio or space used by one or more casting directors for holding audition taping sessions. Many casting directors have their own casting facility and others rent facilities for their auditions as required.
CASTING NOTICE - Similar in format to a Breakdown, the casting notice is not restricted to agents only. They are distributed to actors, agents and the public, much the same as a posting in a newspaper.
CATTLE CALL - The actual time you are due on the set
[ MOOOOOOO !]
CATERER - Responsible for breakfast, lunch and dinner on a set. Different from Craft Services.
CHANGES - Outfits worn while performing. CHEAT - The actor's adjustment of body position away from what might be absolutely "natural" in order to accommodate the camera; can also mean looking in a different place from where the other actor actually is.
CHECKING THE GATE! - A verbal command to check the lens on the camera; if the lens is OK the cast & crew will move on to the next scene or shot.
CHIEF ELECTRICIAN - Heads the electrician crew; also called the Gaffer.
CINEMATOGRAPHER - Director of Photography
CLOSE-UP (CU) - Camera term for tight shot of shoulders and face.
COLD READING - Unrehearsed reading of a scene, usually at an audition.
COMMISSION - Percentage of a performer's earnings paid to agents or managers for services rendered.
COMPOSITE - A series of photos on one sheet representing an actor's different looks.
COVERAGE - All camera shots other than the master shot; coverage might include two-shots and close-ups.
CRAFT SERVICES - On-set beverage and snack table. Different from the Caterer
CRANE SHOT - A camera shot raised over or above the set or the action.
CREDITS - Opening names in a film or TV show; also refers to a one's performance experience listed on a resume or in a program.
CUE - Hand signal by an AD or PA
CUT! - The verbal cue for the action of the scene to stop. At no time, may an actor call, "cut!"
CUTAWAY - A short scene between two shots of the same person, showing something other than that person.
DAILIES - Screening of footage before it is edited.
DAY PLAYER (DAY PERFORMER) - A principal performer hired on a daily basis, rather than on a longer - term contract.
DEMO TAPE - An actor’s audio or video tape that agents use for audition purposes. These are now going digital and are being uploaded to the Casting Workbook saving duplication and shipping costs for agents and their actors.
DIALECT - A distinctly regional or linguistic speech pattern. DIALOGUE - The scripted words exchanged by performers.
DIRECTOR - The coordinator of all artistic and technical aspects of any production.
DIRECTOR OF PHOTOGRAPHY (D.P. or D.O.P) - Supervises all decisions regarding lighting, camera lenses, color and filters, camera angle set-ups, camera crew and film processing.
DOLLY - A piece of equipment that the camera sits on to allow mobility of the camera.
DOLLY GRIP - The crew member who moves the dolly.
DOUBLE - A performer who appears in place of another performer, i.e., as in a stunt.
DRESS THE SET - Add such items to the set as curtains, furniture, props, etc.
18-TO-PLAY-YOUNGER - A performer legally 18 years old, who can convincingly be cast as a younger age.
EXECUTIVE PRODUCER - Person responsible for funding the production.EXT. (Exterior) - A scene shot outside.
EXTRA - Background performer,
used only in non-principal roles.
FIRST A.D. - First Assistant Director; person responsible for the running of the set. Gives instructions to crew and talent, including calling for "first team," "quiet," "rehearsal," and "take five."
[VIP-Very Important P....]FIRST TEAM - The production term for the principal actors in a scene.
4-A's - Associated Actors and Artistes of America; umbrella organization for SAG, AFTRA, Equity and other performers' Unions.
.FOREGROUND CROSS - Action in a scene in which an Extra Performer passes between the camera and the principal actors; sometimes called a "wipe".
GAFFER - The Chief Electrician.
GOLDEN TIME - Contractually called 16 Hour Rule Violation for Extra Performers, is overtime, after the 16th hour, paid in units of one full day per hour.
GRIPS - Members of the film crew who are responsible for moving set pieces, lighting equipment, dolly track and other physical movement of equipment.